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King Tutankhamun and Queen Ankhesenamun

Item No
Height x Width
Weight
Price
in US$
R-103SP
29 x 34 cm
11.4 x 13.4 in
7.2 kg
15.9 lb
219.00

 

The scene featured on this raised relief features Tutankhamun and Ankhesenamun hunting in the marshes. Rich with detail the piece conveys a glimpse of teenage royal life as the sport of hunting is embraced as a favoured past time. Tutankhamun has brought with him his pet lion cub, bow and arrows with holster, cushions, footrests and a folding stool with animal pelt. The feet of the stool are carved to indicate stylised lions paws. The couple wear elaborate collars, fine pleated linen garments, arm bands, golden sandals and a uraeus diadem on their foreheads. The queen has in addition to her cobra uraeus a cobra crown surmounted by miniature red sun discs. Her wig is adorned with a thick plait of hair which was a custom reserved exclusively for royal offspring.

While Ankhesenamun offers yet another arrow, a wild duck has already taken a blow from Tutankhamun's archery prowess as it dives above a papyrus thicket. Directly in front of Tutankhamun's face you will see the cartouche containing the hieroglyphs of his Horus name Neb-kheperu-ra. The hieroglyph for beauty (nefer) has been placed next to the cartouche. Below his arm the hieroglyph for life and fertility (ankh) appears and again in the fragmentary remains of the queens cartouche directly above her crown. Here it is used phonetically in conjunction with the remaining glyphs Ankh-s-n… The inspiration for this relief has been derived from one of the many shrines found in Tutankhamun's tomb.

The collapse of "Atonism"- the short lived monotheistic solar religion of the late 18th dynasty, brought with it a return to the worship of Amun-Ra and the fully reinstated pantheon of gods and goddesses that existed before Akhenaton's reign. During the extraordinary religious revolution centred around the royal couple, Pharaoh Akhenaton and Nefertiti were raising a family. Six daughters were produced with Nefertiti all of which were included in various royal portraits. It is the intimacy of the family portrait that is one of the most profound images to live on from this period - with unprecedented attention being doted on the princesses. The premature death of the princess Maketaton was memorialised and carved with reverence in the family tomb and conveys the tremendous loss felt by the king and queen.

The third daughter, named Ankhesenpa-aton lived and played in Akhetaton - the city of the horizon of Aton (the sun disc) and more than likely shared a lotus pool with a young boy known then as Tutankh-aton. Tutankh-aton was very possibly Akhenatons son by another subsidiary wife. The names Kiya and Tadukhippa are possible candidates for the mother figure.

After the death of Akhenaton an ephemeral king known as Smenkhkare held position for about two years before the city was finally abandoned and the city of Waset (Thebes) returned as capital city in the south. What happened to Akhenatons surviving princesses remains a mystery except for Ankhesenpaaton who we know had her name changed to incorporate the reinstated Amun. The boy Tutankhaton also underwent a name change at age nine under the instruction of Amun priesthood and state officials. Tutankhamun was the name now adopted by the boy who had become king and with his young wife Ankhesenamun they were too young to deal with the complex affairs of state let alone the now tattered factions of empire.

Tutankhamun died before he was twenty years old abruptly ending the bloodline that linked him to the founders of the greatest most expansive dynasty in Egypt´s long history. Read more about Tutankhamun here. Ankhesenamun survived but with no children to continue the lineage she desperately tried to find a suitable heir, appealing to a foreign prince that by marriage to her would legitimise his place on the throne. He never made it. He was probably murdered along one of the ancient trade routes that connected the civilised world of the time. Ankhesenamun herself finally fades into oblivion shortly after this with kingship being passed into the hands of Aye, her fathers 'master of chariotry' and a prominent figure from the abandoned city of Akhetaton.

 

 

 

 
 
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